photo: Zita Abreu
The art of Madeira
Tapestry began at the end of last century, more specifically in 1936, by the
hand of the Kiekeben families, of German origin, that when seeking to diversify
the production of its embroidery factory, decided to create a tapestry studio.
Its development
was fast, having generated a positive impact on the local economy. From this
time on, the embroiderers become exceptional manufactures of this art, using
wool and cotton thread to ‘paint’ on canvas.
There are several techniques for the making of tapestry, from the “ponto miudo” (small stitch), which aims to highlight the details of the canvas, to the “ponto grado” (larger stitch), which is used in the tinting base and filling of backgrounds, and finally the "gobleliu" or basting stitch (“alinhavado”).
The tapestry pieces are applied in a wide range of articles including carpets, cushions, bags, paintings and chair liner.
After finishing the canvas, the crafts workers bring these pieces to the Madeira Wine, Embroidery and Handicrafts Institute (IVBAM), where they are authenticated with a guarantee seal.
There are several techniques for the making of tapestry, from the “ponto miudo” (small stitch), which aims to highlight the details of the canvas, to the “ponto grado” (larger stitch), which is used in the tinting base and filling of backgrounds, and finally the "gobleliu" or basting stitch (“alinhavado”).
The tapestry pieces are applied in a wide range of articles including carpets, cushions, bags, paintings and chair liner.
After finishing the canvas, the crafts workers bring these pieces to the Madeira Wine, Embroidery and Handicrafts Institute (IVBAM), where they are authenticated with a guarantee seal.
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